I shot this a few months ago on Tassie’s east coast, at a very nice shack designed by Maria Gigney

A peek behind the scenes:

I exposed for the sky and pumped a fair bit of light into the frame - in the room on the left I had a Bowens head with a wide angle reflector shooting into the ceiling. This worked to light the room and cast a small highlight down the left side of the model. The main light for the model was a softbox in the room on the left. The foreground was lit using a silver reflector.
Even though there’s a lot of introduced light, my aim was to make it look as natural as possible.